Edit Pace — frame-to-frame color delta (bright = fast cuts)
Color Temperature — warm (gold) vs cool (teal) per frame
Frame Density Comparison — every 2nd vs every 4th frame
Slice · 15s
Avg · 15s
Slice · 30s
Avg · 30s
The palette reads like leftover watercolor washes—muted, warm, almost chalky, with a Red-Orange dominance that never saturates beyond 0.179. This is the visual signature of J.C. Staff's *Honey and Clover*, a show that refuses the vivid contrasts of its shoujo contemporaries. Director Kenichi Kasai and art director Junichi Higashi built a Tokyo of beige
Brightness Arc (episode progression)
Hue Distribution
Act Breakdown
Opening
0.687
Middle
0.648
Closing
0.738
Avg Brightness
0.651
Avg Saturation
0.179
Warmth
0.548
Color Palette
#EAE3DA
#A4A09A
#625E5A
#DECEB0
#CBB29F
#A09070
#8E7063
#17202A
3-Act Color Story
Opening
Middle
Closing
Color Twins
Perceptually nearest palettes — measured in OKLab space, not RGB
The palette reads like leftover watercolor washes—muted, warm, almost chalky, with a Red-Orange dominance that never saturates beyond 0.179. This is the visual signature of J.C. Staff's *Honey and Clover*, a show that refuses the vivid contrasts of its shoujo contemporaries. Director Kenichi Kasai and art director Junichi Higashi built a Tokyo of beige