Edit Pace — frame-to-frame color delta (bright = fast cuts)
Color Temperature — warm (gold) vs cool (teal) per frame
Frame Density Comparison — every 2nd vs every 4th frame
Slice · 15s
Avg · 15s
Slice · 30s
Avg · 30s
The palette reads like a bruise: desaturated grays and muted browns, with red dominance that never flares into warmth. Kyoto Animation's first full directorial effort from Yasuhiro Takemoto strips the series of its predecessor's comedic primary colors, replacing them with the dim interior of a submarine or a rain-slicked alleyway. The
Brightness Arc (episode progression)
Hue Distribution
Act Breakdown
Opening
0.472
Middle
0.551
Closing
0.548
Avg Brightness
0.413
Avg Saturation
0.213
Warmth
0.529
Color Palette
#1A1C1E
#5C5A59
#9D9E9E
#E7E7E6
#926F5D
#2F4E5F
#E8CDAA
#A28D6E
3-Act Color Story
Opening
Middle
Closing
Color Twins
Perceptually nearest palettes — measured in OKLab space, not RGB
The palette reads like a bruise: desaturated grays and muted browns, with red dominance that never flares into warmth. Kyoto Animation's first full directorial effort from Yasuhiro Takemoto strips the series of its predecessor's comedic primary colors, replacing them with the dim interior of a submarine or a rain-slicked alleyway. The