Edit Pace — frame-to-frame color delta (bright = fast cuts)
Color Temperature — warm (gold) vs cool (teal) per frame
Frame Density Comparison — every 2nd vs every 4th frame
Slice · 15s
Avg · 15s
Slice · 30s
Avg · 30s
The Eccentric Family 2’s palette reads like a late-autumn leaf collection left too long in the rain: #562915, #62512F, #615F58 — all browns and ochres drained of sparkle by a saturation barely above 0.38. The Red-Orange dominance (40%) should signal warmth, but the show’s falling arc (opening 0.537 brightness, closing 0.242) twists that warmth into something elegiac. Director Masayuki Yoshihara and his art direction team crafted a Kyoto where every frame feels steeped in the waning light of a fading season. The show’s first act, sunnier and more familiar, is a deliberate lie — the tanuki family’
Brightness Arc (episode progression)
Hue Distribution
Act Breakdown
Opening
0.537
Middle
0.395
Closing
0.242
Avg Brightness
0.416
Avg Saturation
0.388
Warmth
0.572
Color Palette
#261F19
#615F58
#562915
#62512F
#E6E2DB
#A8A298
#A39166
#977054
3-Act Color Story
Opening
Middle
Closing
Color Twins
Perceptually nearest palettes — measured in OKLab space, not RGB
The Eccentric Family 2’s palette reads like a late-autumn leaf collection left too long in the rain: #562915, #62512F, #615F58 — all browns and ochres drained of sparkle by a saturation barely above 0.38. The Red-Orange dominance (40%) should signal warmth, but the show’s falling arc (opening 0.537 brightness, closing 0.242) twists that warmth into something elegiac. Director Masayuki Yoshihara and his art direction team crafted a Kyoto where every frame feels steeped in the waning light of a fading season. The show’s first act, sunnier and more familiar, is a deliberate lie — the tanuki family’