2012 Score 8.37 22 eps Red-Orange Complementary MAL ↗IMDb ↗ Production I.G Action Mystery Sci-Fi Suspense

Psycho-Pass

Pixel Slice — 1px center crop per frame
Pixel slice barcode
Smooth Average — mean color per frame
Smooth average barcode
Rank Mosaic — columns sorted by luminance
Rank mosaic barcode
Circle / Radial — polar transform
Circle barcode
Edit Pace — frame-to-frame color delta (bright = fast cuts)
Edit pace barcode
Color Temperature — warm (gold) vs cool (teal) per frame
Color temperature barcode
Frame Density Comparison — every 2nd vs every 4th frame
Slice · 15s
Avg · 15s
Slice · 30s
Avg · 30s

The brightness arc falls hard and unrelentingly, a trajectory that mirrors the show’s own thesis: the system’s promise of safety is a lid slowly closing. Naoyoshi Shiotani and Production I.G drape *Psycho-Pass* in a palette that reads Red-Orange from the k-means clusters, but the lived experience is overwhelmingly dark—average brightness 0.241, saturation barely a whisper at 0.246. That Red-Orange (28%) is the Sibyl System’s blinking monitors, the threat of a criminal coefficient flashing, but it fights against equal shares of Green and Blue-Green (23% each)—the cold, bureaucratic hum of the command center and the cyan-tinged shadows of Tokyo’s rain-slicked streets. The arc’s drop from an opening 0.376 to a closing 0.227 is not dramatic action; it is the *visual suffocation* of Shinya Kōgami’s journey. There is no third

Brightness Arc (episode progression)

Hue Distribution

Act Breakdown

Opening
0.376
Middle
0.314
Closing
0.227
Avg Brightness
0.241
Avg Saturation
0.246
Warmth
0.504

Color Palette

#1A1B1B
#5D5D5B
#28324C
#9E9E99
#314E56
#574B31
#E9E4E0
#4D3426

3-Act Color Story

Opening
Middle
Closing
Color Twins
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